Illumination. Touché.
By
Inger Marie Hognestad
I edged the inkwell a little to the right,
not wanting to spill any drops on the parchment I’d been granted. With running
eyes I studied the precious ink-blocks resting in front of me. What a twist of
fate to have them here. They waited for me to start grinding them into powder
and dissolve them in the water I had ready. The usurper gave me the ink-blocks
this morning. When he left, I heard the guards whisper in consternation outside
the door, which he locked behind him. He heard, and silenced them: “Quiet,
imbeciles. He doesn’t have his quill of power. Show some backbone!”
I didn’t dare
smile, just in case I was being watched. In accordance with his nature, the
fool was incapable of conceiving an art where the mind is the tool. He
contributed the works or the art to the quill, in simplistic analogy to his
sword. So yes, the ink-blocks were ordinary ink. The water was ordinary water,
and my tools were common brushes and sharpened goose feathers. That didn’t
matter. It is the knowledge that gives direction. It is the hand that connects
the knowledge with the parchment through the tools, which makes the difference.
Yes, they feared
me, the superstitious peasants, and justly so. If I had my freedom I would have
torn this dungeon down, stone by stone, brick by brick, until there was nothing
left but dust, settling over their white bones. I was breathing heavily at the
thought of what I would do if I could, but I couldn’t indulge in such ideas. I
had to focus on the task at hand; my revenge would be better directed if aimed
at the usurper. For that, I needed utter presence of mind, not futile, wistful
thinking. I turned my attention back to the table.
The cough seized me then, racking me from
head to toe. When it was over I sat back to get my breath back. I was equally
exhausted by the cough and by the implications of the means of retribution in
my hands.
Trembling,
I took a lump of ink and put it in the mortar next to me. In its solid form ink
looks almost black to the untrained eye, and the dull ominous sheen struck me
as very fitting. I caressed it slowly, then reached for the pestle. The stone
was chill and clammy to my touch. The ink, quill and the parchment might be
powerless, but in the patterns I would craft with them lay my means to justice.
Red
was first. Red is Death. Blood. Anger. Oh yes, red comes first. I thrust the
pestle into the mortar with an energy that surprised me. The block was ground
to dust in no time at all, ending up in the bottom of the mortar like a thin
layer of rusty decay. Taking a deep breath I poured it into a small pot, then I
clasped the handle of the pitcher. It was brimful of water, but not big. Yet,
my arm shook with the effort of handling it. Concentrating, I focused on
pouring just the right amount of water into the pot. Too much would dilute the
effect, too little would cause the red to outbalance the other colors. Very
soon I had a jar of ink, ready to use, ready to focus my rage.
I
turned to the blue. Blue was… more difficult. There was a time when blue meant
happiness to me. When blue as the sky meant freedom, freedom to roam at will,
to study, to exert my power as I saw fit. Now it holds mostly remorse. My
bodily weakness testifies to the fact that even if I still could roam the land
like I used to, the joy wouldn’t be as it was. The ache in my joints would
hamper me; detain me, no matter the strength of my spirit. So, yes, blue is
grief and regret. It would also serve to inflict such sorrows, as only I am
capable of meting out. If the usurper had not put me in this cold and harsh
dungeon, my experience would be less… poignant, to draw upon for this measure.
It seemed very fitting that it would in the end reflect back on him.
When
the powder had been dissolved in the water, I needed a break. Grinding the
ink-blocks with the pestle taxed my strength as if I was a babe. I straightened
my back and rolled my shoulders to loosen up the tension. I reached for the
dirty handkerchief, a little impeded by the chains around my wrists, and
sniffed noisily. Besides the rheumatism, the cold and damp had given me a
permanent cold. The malice of my confinement had also removed every shred of
warmth in my heart, leaving it old and hard. It certainly had eroded my
leniency toward those of lesser power, and I rejoiced in the thought that soon
I would see compensation for my years of waiting. Soon, I promised myself.
The
shuffling from a kitchen-slave bringing food interrupted me. The young girl was
a sorry sight, in rags, yet she was remarkably able to find her way, despite
her handicap. All the slaves were mute, deaf and blind. My jailor had let me
know that, no doubt in order to demoralize me. I would get no chance to win
anyone to my cause. Now that all soon is over, I must admit to myself that he
succeeded for a while. For many hopeless years, all I contemplated was the
structure of the stones in my prison. What irony. I, who used to write
dissertations, which scholars of the world flocked to read. What a waste.
I
returned to my work as soon as I had finished my leaf of dry bread and the
water accompanying it. I treated myself to a small smile at the thought of my
jailors arrogance; demanding his personal letters written by me, using the
greatest sorcerer the world had known as his personal scribe. His excuse was
petty. I saw the pride lurking in his eyes, the delight at commanding me to do
his bidding. I was merely surprised that it had taken him so long to work up
the courage for it.
When
he left my cell the evening those weeks ago after letting me know what he
wanted, I wowed to the power of Illumination that I wouldn’t leave the chance
unheeded. I would tear him down, yet. I had pondered day and night on how it
would happen, and my plan… well, not that I had the ink, my plan was looking at
its fulfillment.
Yellow
was the next ink-block that I turned to. Its dirty color didn’t reveal the
brilliant hue I knew was hidden within. I patiently crushed it to fine powder,
used the water, and could add the jar of yellow ink to the red and blue. I took
a second to consider use of yellow in my undertaking. Yellow is, even more than
blue, a color of happiness, light and warmth. As such I would only use it as
contrast. Bright, happy yellow would serve wonderfully as the inversion of my
intent. I realized the smile playing on my lips must have been cruel, but you,
whoever you are, should understand that the years have given me reason.
The
last ink-block I had been given was ordinary lamp black. I would use it
sparingly, only applying it on the fine lines meant to give direction to the
eye, it being too mundane to serve my arcane purpose. Of course, I would use it
on the ordinary script, on the words that would make up the body of the letter.
They might talk of war and peace and treaties as much as they liked; those
words were still insignificant. -No, not quite. They served as disguise, and as
such I had used them cleverly. I nodded to myself, satisfied with their
content.
Still,
I lacked an ingredient. It might, and might not, prove critical. The color that
would create the effect I needed to assure myself of success was gold.
I
knew I wouldn’t get it until the last. I had to convince my jailor of its
usefulness before he would take what he considered a risk. Even now, after the
demolition of our universities and schools of higher learning, gold still
carried connections to the obscure arts. Oh yes, I knew that he feared me
still, he, like the peasants. He was merely cleverer hiding it, and too full of
himself to take heed of his own misgivings.
I stretched for
the parchment in front of me, already filled with the fine lines outlining the
design I had agonized over, day and night, for weeks now. The letter consisted
of only three paragraphs, but they were brilliant. They had to be, for their
number could not exceed the numbers of letters needed for the spell. I had
convinced the usurper of their content, now I must convince him of their
innocence, and most importantly, coerce him into reading the message.
Writing the
letter was a dangerous task. The spell I was attempting had to my knowledge
-due to its inherit peril, never been executed before. I admit to pride. I also
confess that this is why I now record my actions and events as they happened.
To make the result of my research available for the next generation of scribes
is to crown my revenge with the triumph of my life as a scholar.
What of it? If
anybody read this, I have succeeded.
I picked up the
brush I would use for the calligraphy, intent on doing away with the ordinary
letters first. I filled the brush with the black ink, hesitated nary a moment,
and put it to the parchment with elegant, yet efficient, strokes:
ear Minister, I wrote. I had struggled to get my jailor to allow the informal
tone, and he had finally accepted my arguments. I continued: This is a
matter of great importance to Us. We advise you to reflect on it to be
illuminated the way We have been.
Yes, I smirked
as I wrote that line.
I continued
through the paragraph, and jumped several lines down before starting on the next.
nternational
relations, as well as the repute of our nation, dictate this course of action. Little did the fool know that the repute of our nation never would
be made by the likes of him, but by the knowledge he scorns and fears.
I finished the
middle paragraph and turned to the last, again jumping several lines down.
mpires depend
on these principles. We charge you with the responsibility of applying them,
fully confident that you are capable. We will see victory before the autumn is
over.
Indeed. I
quickly finished the paragraph, signed it with Drese, Supreme King of the
Richerlands, and set about to do precisely his bidding, but differently
applied.
The design of
the three starting letters resembled each other. It had to, considering that I
expected the king to bring a mirror when he came to check what I wrote. He
might tell his subordinates that I was harmless, but he didn’t seize the throne
without certain cunning.
Using a mirror
is the most common method of thwarting a spell aimed at an unsuspecting reader.
It would leave the letters powerless, yet readable, by a person sufficiently
trained in the art of reading. To avoid its foiling effect I therefore had to
be clever.
I solved the
problem by working with inverted design and reversed script. Accompanying each
clearly outlined character there was a shadow made of blood and grief. It faded
against the dominating yellow of the plain letter, but served as a tempering
undercurrent. Most importantly: it would show up correctly in a mirror,
enticing the reader to pick up its meaning without conscious effort.
I concentrated
furiously while I worked. Since I constructed the spell to take effect on
anyone reading it, I could not allow myself even to think of its consequence
when I looked at it. Herein lay its danger. Every fiber of my body yearned for
its execution. It required immense discipline not to let my mind touch upon its
meaning, not to allow myself to contemplate what I attempted, not even to
subconsciously spell out its echo.
Actually, I was
aided by my condition. Every odd minute I had to put down my brushes so not to
soil the parchment while I coughed. Every other half hour I had to take a break
to rest my trembling hands. I used the pauses to enter the state of meditation,
which I had neglected for so long. Now I reaped the reward for my long years of
practice.
So I meditated.
Then I worked. Sometimes I slept, and whenever the mutilated slaves brought me
the food, I think I ate. I sang while I worked. My voice had once been a
pleasant baritone, an instrument I could use in my teaching and experiments.
Now it was merely a cracked whisper, but I didn’t care. It was still my
instrument, but while it before served to catch and keep the attention of an
audience, it now served to provide my mind with distraction. I hummed the most
obscure melodies. I even whistled. I paid just enough attention to fill in the
right areas with the necessary color, then I wrenched my attention away from my
predicament and filled my mind with inconsequential memories. And I succeeded!
By the power of Illumination, I succeeded!
After days of
intense work, running eyes and aching fingers, I found myself looking at the
finished letter, the three paragraphs starting with their appropriate
illuminated letters, creating the perfect spell. Of course, at that point I
couldn’t allow myself to contemplate my achievement by resting my eyes on it,
as it was most capable of killing me and thus deprive me of the knowledge of
success.
One little
detail remained, though. The gold. Strictly speaking, gold isn’t necessary to
effectuate a spell, but I wanted it to make sure I circumvented any defenses
the King might take pains to erect.
When using gold
in an illumination, you use real gold. There are red gold, yellow gold and
white gold. While they are interchangeable, a good sorcerer knows when to
prefer one shade for another to enhance the effect of his work. I wanted red
gold. The red gold would add an ominous touch to the reflection of those who
looked at it. It was what I needed.
Now, the
unlearned may think that gold in Illumination is used merely because it makes
the pattern prettier. Not so. Gold, by its nature, is reflective. Used
properly, it intensifies the power of the spell, catching light, concentrating
it, and sending it deep into the mind of the reader in flashes of brightness.
Illuminating. Mind you, I didn’t need it for the sake of its power. The spell I
was crafting was absolute; either it worked, or it didn’t. However, the
reflection properly applied to an inverted pattern… It would test all my
theories on the nature of light and the source of magic, and should by rights
make it impossible to avoid the effect of the spell by anybody able to read
words of one syllable. Even the usurper knows as much.
I was
interrupted in my musings by rattling keys at the door. Time for stale bread
and water again. I took the opportunity to lift my attention to the color
balance of the middle letter, using my anticipation for the food to lock out
any subconscious attempts toward constructing meaning of the image. The
color-scheme seemed good, but might be enhanced with a touch of red.
The door
creaked, and the moment I heard the steps on the floor, I realized I was wrong
about the food. It was the usurper, on an unexpected visit.
I turned my sore
eyes toward the sound, knowing full well how I must appear to him. Old,
rheumatic, balding to the point where even the traditional ponytail was
endangered, the beard white, unkempt and dirty. I knew I reeked too, but I was
too familiar with it to notice. Drese was too much of a warrior to bother with
finery, and merely wrinkled his nose a little. I guess he had smelled worse on
the numerous battlefields in his warring days. His obese figure clearly told
that those days were long gone, but all his finery and learned manners couldn’t
hide the soldier beneath.
“Usurper,” I
greeted him as usual.
“Cousin,” he
replied with disdain for my insults. “How is your work progressing?”
“Slowly,” I
replied hoarsely, my voice rough for lack of practice. I lifted my hands to
show him. “See these? Your dungeon almost makes them useless.” The quiver in my
fingers was visible, especially when I had to strain to keep them in the air.
He shrugged
contemptuously. “It is no worse than what your former King would have spared
for me. And you wouldn’t have lifted a finger to prevent it, would you?” He
raised an eyebrow, but I knew better than answering. It was not a matter of
pride or higher moral; it was a matter of survival. I channeled all my futile
rage into the pattern in my mind, and stored it there to draw upon when I could
continue laboring over the pattern in front of me.
“I need this
letter finished within the week.” The change of subject was abrupt, and the
words startled me.
“Sire,” I
protested, again showing him my hands.
The usurper made
a brusque gesture. “It is not a request. It is an order.”
I must admit I
almost despaired at that. In my impotent state I started to cough, and had to
push my chair away from the table to avoid rocking it and spilling the ink. The
King didn’t lift a finger, nor did he call for help. He did surprise me when
the fit was over though.
“I’ll have my
physician drop by to make you a brew to relive the cough.” I suddenly realized
something must have happened to make the letter more important to him. Earlier
he’d merely shrug and leave, and later having me flogged for failing to meet
his deadline. I shivered at the thought. A flogging as harsh as those I had
received in the first years of my imprisonment would certainly have killed me
now. Silently I was grateful for whatever crisis it was that made him wish to
flaunt his power by showing off his leash on me.
I bowed my head
to him, not trusting my voice to carry.
“Within the
week,” he repeated, and was about to leave when I remembered.
“Sire!” It came
out more as a wheeze than a word. He turned and looked at me with a frown.
“What?”
“I need yet
another color to make the letter presentable.”
“What color
might that be?”
“Gold.” I sat
back, avoiding meeting his eyes, looking at my disfigured hands. The silence
stretched.
“Why is it that
you need gold?” he said at last. His voice demanded a convincing answer.
I shivered
slightly. “Sire,” I began, very much aware of what was at stake. “All my works
of illumination contained gold. The use of gold shows the reader that the
illumination is a work of high quality. Only inferior scribes, unable to afford
it, would resort to substitute colors.” I suspected he knew that I was baiting
him. He also knew the truth of what I said. Besides, I have never hid neither
my brilliancy nor my pride, and I was playing on his vanity. If I were correct
about a crisis behind this urgency, it would be even more important to him to
show off his power. He would never allow anything inferior to be associated
with his rule. He never had. I played my ultimate card, praying that the crisis
he faced was one that challenged his supremacy: “If I don’t add gold to the
illumination, there would be considerable doubt concerning the identity of the
scribe.”
He raised an
eyebrow at me. “Artistic pride, cousin? What does acknowledgement matter to you
here in this cell?”
I swallowed and
weighed my words. “What else could matter to me now, King?” I kept my eyes to
the floor, hoping that the despair I had felt for so many years would convince
him.
It did.
“Very well.
You’ll have the gold.” He turned on his heels and strode to the door. When it
slammed shut behind him, I sagged in the chair, my rigid muscles relaxing as
realization dawned on me. He had conceded. He had signed his doom. I was limp
from relief, exultation, disbelief… I’m not sure about all that raced through
my heart and mind at that moment. I only knew that victory was close.
***
One week later…
Forgive me,
reader, if my writing is a little uneven. I’m writing with my eyes shut. It
will be the last that I write in my life, because when I open them I shall die.
I will do that as soon as I’ve finished writing this warning. It will be kinder
than the fate that awaits me when they realize I have killed their king.
I am alone in
here, and the door behind me is open. The usurper lies dead on the floor
somewhere to my right; the guard lies dead in the entryway. I think even the
rat in the corner died. Who would have thought that? It certainly cannot read.
This has definitely made me realize that the nature of the bond between light
and magic has not at all been sufficiently explored. Someone else will have to
take up that investigation; I suspect I shall be long dead before the rumors of
what has passed reach the world. I can only contribute with a few important
notes. The most pressing question being, if the sunray and the gold powered the
illumination to the point of killing everybody in the room, - even the rat, why
didn’t I die? I cannot answer that; merely offer a few facts for the scribes to
come. One: I made the spell, so I was aware of its danger. Two: My sight has
long been impeded by a growing grayness on my eyes. Three: I did close my eyes
the moment I realized the usurper brought the parchment into the sun, so better
to read it. And yes, he did use a mirror, and my guess is that the mirror
reflected the glint from the sunlight in the gold in one bright flash. I fear
that the inverted pattern, the reversed script and the effect of the mirrored
flash in the gold did something to the light, containing the spell’s power in
the reflection.
My triumph as a
scholar has changed everything. I must admit it is a triumph tinged with
regret. The regret is for the vast opportunities of research and exploration in
which I will never participate. The triumph is the knowledge that I have
brought something completely new to attention. Well, that makes my mortality
neither greater nor lesser, only more immediate. How true it is that the events
with the greatest impact on our lives are those beyond our control.
The parchment
with the spell lies somewhere on the floor, by now the sun should have passed
my little window so it should no longer be so disastrously illuminated by it,
but potent... oh yes. First I wondered if the room might become less dangerous
when the sun disappeared. It didn’t. As testified by the dead guard in the
entry. I don’t think he heeded my warning though. There is the lantern of
course, carefully maintained by the blind servants. Possibly the mirror lies in
such a position that it catches the lanterns’ light and mirrors the parchment
at the same time. Or maybe not. There’s no way for me both to find out, and to
tell the tale.
Maybe I would
have gone down on the floor, fumbled around till I fond the parchment, and
destroyed it. But I can’t. My chains efficiently prevent me, curbing my impulse
to even decide if I would, given that I could. Truth be told, I resent the
thought. After all, the spell is my way out of my misery, as well as my way
into the scrolls of history. So I sit here, scribbling down my last words in
self-inflicted darkness, and wait for courage to open my eyes and receive what
I so justly deserve. Illumination.
Touché, cousin.
- Illumination…I wonder, what have I
unleashed on the world?